A1

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La chevaleresque (Knight Errant) is from 25 Etudes, op.100.

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A2

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This Presto is the second movement of Sonata no.6 in F major.

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A3

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Listen on Spotify here.

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A5

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Listen on Spotify here.

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B1

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Arctic Night is no.1 from Eskimos, a collection of 4 'Characteristic pieces'.

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B2

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Starry Dome is from 'Piano Meditation'.

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George Nevada is a pseudonym of Manfred Schmitz.

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B3

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A lyrical piece from Tchaikovsky's collection 'Album for the Young' op.39.

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The sheet music for op.39 is here.

It may be helpful to think of the opening section being in three parts. A principal RH melody, a secondary melody in the bass that often moves in contrary-motion with the upper melody and a chordal accompaniment in the centre-ground.
 

As the title suggests it needs to evoke the atmosphere of a relaxing snooze. Soft dynamics and smooth legato lines. 

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B5

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La huérfana is from Cuentos de la juventud, op.1

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The sheet music for op.1 is here.

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To listen on Spotify, click here.

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B6

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Popular amongst Stephen Heller's piano music are his collections of studies op.45, op. 46 & op.47, each group intended to as a precursor to the one before; so op.47 being the easiest.

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For videos of other Studies in the op.47 collection, click here.

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To listen to op.47 no.15 on Spotify, click here.

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B7

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This video is for Hélène.

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B8

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The 9 pieces that makeup Impresiones intimas date from Mompou's time in Paris where he was a student at the Conservatoire - he was in his late-teens.

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B9

B10

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Von fremden ... (From Foreign Lands and People) is from Kinderscenen, op.15.

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Listen on Spotify here.

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C1

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Mister Trunpet Man is from New Orleans Jazz Styles.

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For the backing tracks, click here.

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C2

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Changing Times is from 'Cool Piano 5'.

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The Changing Times refers to the changing time-signatures (2/4, 3/4 and 4/4) and tempos.

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For the tutorial video on this piece, available to $5/month patrons, click here.

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C3

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This Tarantella is from Musique d'enfants, op.65.

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C3

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'Elergy for the Arctic' is from 'Ludovico Einaudi: Extra Elements' (Chester).

I'm grateful to Weijia for introducing me to this wonderful piece that, as the title suggests, makes us stop and think. I wholeheartedly recommend this short video produced by Greenpeace of Einaudi's own performance ...whilst floating on a raft in the arctic, complete with cracking, tumbling ice.  I have a hunch it may have been improvised, or certainly created in situ, what do you think?

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